C. S. Lewis's spiritual autobiography Surprised by Joy is inexhaustibly delightful to me. I turned on the Ralph Cosham (of The Elder Scrolls fame) audiobook the other day for lack of anything else to do and more than an hour passed as ten minutes (for so it seemed) of perfect warmth and clarity. Even if you are unsympathetic to the atheism–>[Theosophy–>deism–>]Christianity turn, or even if you have no interest in religion and philosophy at all, I would press the first three-fifths of this book on you. Lewis's writing has a perfect unfurling inevitability—of syntax, colour and texture—to it that I would dearly love to imitate. Do any of you ever mentally blue-pencil what you're reading and wonder, Would it sound better if it was worded like...? Lewis has never failed this test for me. I think it sacrilegious to try and persuade you to share in my 'immense pleasure of admiration' so I'll leave off with some favourite bits and they can stand for themselves.
I myself was rather a pet or mascot of Oldie's—a position which I swear I never sought and of which the advantages were purely negative. Even my brother was not one of his favourite victims. For he had his favourite victims, boys who could do nothing right. I have known Oldie enter the schoolroom after breakfast, cast his eyes round, and remark, "Oh, there you are, Rees, you horrid boy. If I'm not too tired I shall give you a good drubbing this afternoon." He was not angry, nor was he joking. He was a big, bearded man with full lips like an Assyrian king on a monument, immensely strong, physically dirty. Everyone talks of sadism nowadays but I question whether his cruelty had any erotic element in it. I half divined then, and seem to see clearly now, what all his whipping-boys had in common. They were the boys who fell below a certain social status, the boys with vulgar accents. Poor P.—dear, honest, hard-working, friendly, healthily pious P.—was flogged incessantly, I now think, for one offence only; he was the son of a dentist. I have seen Oldie make that child bend down at one end of the schoolroom and then take a run of the room's length at each stroke; but P. was the trained sufferer of countless thrashings and no sound escaped him until, towards the end of the torture, there came a noise quite unlike a human utterance. That peculiar croaking or rattling cry, that, and the grey faces of all the other boys, and their deathlike stillness, are among the memories I could willingly dispense with.
—Chapter II
I never thought that dancing mistress as beautiful as my cousin G., but she was the first woman I ever "looked upon to lust after her"; assuredly through no fault of her own. A gesture, a tone of the voice, may in these matters have unpredictable results. When the schoolroom on the last night of the winter term was decorated for a dance, she paused, lifted a flag, and, remarking, "I love the smell of bunting," pressed it to her face—and I was undone.
You must not suppose that this was a romantic passion. The passion of my life, as the next chapter will show, belonged to a wholly different region. What I felt for the dancing mistress was sheer appetite; the prose and not the poetry of the Flesh. I did not feel at all like a knight devoting himself to a lady; I was much more like a Turk looking at a Circassian whom he could not afford to buy.
—Chapter IV
If those of us who have known a school like Wyvern dared to speak the truth, we should have to say that paederasty, however great an evil in itself, was, in that time and place, the only foothold or cranny left for certain good things. It was the only counterpoise to the social struggle; the one oasis (though green only with weeds and moist only with foetid water) in the burning desert of competitive ambition. In his unnatural love-affairs, and perhaps only there, the Blood went a little out of himself, forgot for a few hours that he was One of the Most Important People There Are. It softens the picture. A perversion was the only chink left through which something spontaneous and uncalculating could creep in. Plato was right after all. Eros, turned upside down, blackened, distorted, and filthy, still bore the traces of his divinity.
—Chapter VII
Sometimes, indeed, he took in the facts you had stated; but truth fared none the better for that. What are facts without interpretation? It was axiomatic to my father (in theory) that nothing was said or done from an obvious motive. Hence he who in his real life was the most honourable and impulsive of men, and the easiest victim that any knave or impostor could hope to meet, became a positive Machiavel when he knitted his brows and applied to the behaviour of people he had never seen the spectral and labyrinthine operation which he called "reading between the lines". Once embarked upon that, he might make his landfall anywhere in the wide world: and always with unshakable conviction. "I see it all"—"I understand it perfectly"—"It's as plain as a pikestaff," he would say; and then, as we soon learned, he would believe till his dying day in some deadly quarrel, some slight, some secret sorrow or some immensely complex machination, which was not only improbable but impossible. Dissent on our part was attributed, with kindly laughter, to our innocence, gullibility, and general ignorance of life. And besides all these confusions, there were the sheer non sequiturs when the ground seemed to open at one's feet. "Did Shakespeare spell his name with an E at the end?" asked my brother. "I believe," said I—but my father interrupted: "I very much doubt if he used the Italian calligraphy at all." A certain church in Belfast has both a Greek inscription over the door and a curious tower. "That church is a great landmark," said I, "I can pick it out from all sorts of places—even from the top of Cave Hill." "Such nonsense," said my father, "how could you make out Greek letters three or four miles away?"
—Chapter VIII
If ever a man came near to being a purely logical entity, that man was Kirk. Born a little later, he would have been a Logical Positivist. The idea that human beings should exercise their vocal organs for any purpose except that of communicating or discovering truth was to him preposterous. The most casual remark was taken as a summons to disputation. I soon came to know the differing values of his three openings. The loud cry of "Stop!" was flung in to arrest a torrent of verbiage which could not be endured a moment longer; not because it fretted his patience (he never thought of that) but because it was wasting time, darkening counsel. The hastier and quieter "Excuse!" (i.e. "Excuse me") ushered in a correction or distinction merely parenthetical and betokened that, thus set right, your remark might still, without absurdity, be allowed to reach completion. The most encouraging of all was, "I hear you." This meant that your remark was significant and only required refutation; it had risen to the dignity of error. Refutation (when we got so far) always followed the same lines. Had I read this? Had I studied that? Had I any statistical evidence? Had I any evidence in my own experience? And so to the almost inevitable conclusion, "Do you not see then that you had no right, etc."
—Chapter IX
