This book is an example of voice-driven writing done impeccably well. Stevens’ narration allows the story to bounce around temporally as new memories surface; it also allows events to change as Stevens corrects himself. An unreliable narrator and a story that follows a looping, indirect path through time—Ishiguro uses some pretty sophisticated tools. Yet, he pulls everything off beautifully. As the story goes on and we learn more about Stevens’ relationship with Lord Darlington and Miss Kenton, despite the continued insistence by the narrator that nothing is wrong, the sadness of Stevens’ life becomes more and more clear. By the end the feeling of tragedy is palpable.
