I hate doing taxes. I like some of the things that taxes provide for us, like roads, but I hate having to fill out a plethora of forms during the most depressing time of year. A few days ago, I even thought to myself that I would prefer older, more lethal worries: keeping wolves from the cattle, foxes from the henhouse, and rot from the crops. It seemed to me a more honest kind of angst. Perhaps this was a shortsighted thought, and one that I might regret the moment I see a wolverine hurtling for my throat, but I suspect that if I were to relate this thought to Paul Kingsnorth, he might nod along in agreement.
Kingsnorth is an interesting fellow. A former green radical, he has steadily evolved into a green cynic, relatively hopeless about the environmental movement’s trajectory towards social acceptability, its radical solutions replaced by anodyne half-measures meant to support our current way of life rather than revert, or as critics would say, regress, to small-economy basics. This dichotomy, reversion and regression, lies at the heart of his writing: Kingsnorth is aware that critics will slap him with the “regressive” label, mistaking his longing for what good in the old days as longing for the good old days themselves.
However, Kingsnorth’s critique of our way of life lies not only in his environmentalism, but also in his conversion to Orthodox Christianity and his despair at witnessing the death of British culture. He distills the core tenets of his beliefs into what he calls the Four P’s - people, place, prayer, and past - which are diametrically opposed to the Four S’s of modernity - sex, science, self, and screen. He occupies a strange and lonely position, going to war against consumerism, scientism, globalism, cultural decay, and fascism all at once. These forces, gathered together, flatten the world to make way for the Machine: the churning, devouring force of the economy, which dictates that lines must go up ad infinitum.

As a side note, I have to wonder what Kingsnorth would think of the 28 Years Later films. Though I have a few criticisms (in particular, Alex Garland’s lack of restraint - he likes to hammer his thematic nails through the wall and out the other side), I genuinely adore these movies, not least of all for their inventive critique of British culture. However, they certainly stand in opposition to the Four P's: an atheist doctor exhorts materialism and euthanasia; an isolated, close-knit community is depicted as backwards and irrelevant; St. George's flag flies, and then burns, in a condemnation of national identity. Of course, I doubt Kingsnorth watches many movies anyway.