The glorification of anticonformism is an old thing in the Western world. Born in the 1960s, it celebrates the loser, the iconoclast who is able to defy the social order. It had at least a function: to somewhat give some room to people who didn’t/couldn’t fit in. Nowadays, Inclusive is the word, and anticonformism appears as an affectation. And then, I remember Japan exists.
Two young cousins, mistreated by their families, take refuge in each other and create tales—they are both extra-terrestrial beings waiting to find their spaceship and leave for good. They “get married”. Their family separate them and they’re punished, guarded until they conform. Now an adult, she is able to pretend and hide her true self. She mimics humanity (the Factory), and tries to avoid becoming one of its tools (a useful womb).
