An exercise in singing yourself into being. An almost blasphemous celebration of the self but with enough reverent faith in a world that could be to justify it. Muses aren’t invoked in favor of singing inspiration out of Whitman’s own life, and he evokes himself through almost four decades of writing in a turbulent changing world. He laments the “War of Secession” that would divide the US in the 1860’s. He speaks of Paumanok and Manhatta, the native names for Long Island and Manhattan. April, by the time of writing his deathbed edition (the one I read), becomes “fourth month.” There is something ancient that he’s trying to pick up on, while memorializing a very tangible present. Whitman never flinches from looking his time in the face and as a result he really does do a great job of creating the first American Epic. Meter be damned.
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