Logos, symbols, archetypes, meaningless patterns. Interesting concepts, but this novel's structure is too haphazard to do them justice, its twists and turns too convenient to convince me that any of this is more than a hazy stab at figuring out something that hadn't fully taken form at the time of publication. I'm interested to pick up the sequel, Spook Country, based on the name alone, and I appreciate Gibson's attempt to excavate and analyze American culture - corporatism, political malfeasance, and large-scale surveillance - in the early 21st century. Comparisons to Bleeding Edge and Chronic City are apt. Ultimately, however, I found this lacking, especially in comparison to Neuromancer, which I enjoyed for its humanistic portrayal of a world accelerating towards inhumanity. He's better working in a register attuned to emotion rather than social criticism; sorrow, rather than cyberspace.