Perdido Street Station was such a momentous reading experience when I was younger. It was flawed, with its occasionally unconvincing characterization, the pacing, the occasional clunkiness of the dialogue, but the way the city lived, the atmosphere, elevated it above itself. The City & The City has a hell of a premise. It has the occasional sentence that makes me envious. Occasionally I feel for the characters. But on the whole, it is unconvincing. I don't buy it. I read a line and I think, you know, that feels forced, that feels written, something someone put in this character's mouth more than what the character would say. I don't buy it. I buy his architecture and his conceits, some of his turns of phrase, but not his characters or his plots.

I've seen interviews with China and he's such an insightful, articulate speaker who clearly has a tremendous amount to offer. I have Kraken on my shelf. It might be a bit before I get to it, but I will, and I'm going to be in it with the hope of being enraptured, because China so clearly has the capacity, somewhere, to be properly enrapturing.