Jacob Burckhardt was a nineteenth-century Swiss historian who is mostly known today for his book The Civilization of the Renaissance in Italy where he was the first to really treat the Renaissance as both fundamentally different from the preceding medieval era and more-or-less founded the field of cultural history.
I had read one of his other books, The Greeks and Greek Civilization, before with a friend, and we both, along with one other person, decided to read Burckhardt's treatment of Constantine's conversion. The Greek book was interesting because, in a way quite distinct from contemporary historiography, which renders the past flat through its attempt to reconstruct things 'as they were,' Burckhardt's depiction of the Greeks was also an insight into the pressures of his own time. He identifies "ἀγών," or contest, as the driving force behind Greek culture and life: not only the Olympic, but also the Pythian, Nemean, and Isthmian Games; the Panathenaia where rhapsodes competed in their recitations of Homer; or the Dionysia, where playwrights composed their work in competition amongst themselves. Burckhardt's focus on ἀγών seems to reflect the rising swells of capitalism, in a Manchesterist formulation, that shaped his own age.

The YouTuber 'The Gnostic Informant' has a good take on Constantine, in that so many of the workers and laborers had become so influenced by the spread of Christianity that it seemed the natural strategic decision for Constantine to appeal to these new Christians that comprised a significant portion of the workforce by adopting it as the new state religion.